Inserisci una parola o una frase in qualsiasi lingua 👆
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Traduzione e analisi delle parole tramite l'intelligenza artificiale ChatGPT
In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:
- come viene usata la parola
- frequenza di utilizzo
- è usato più spesso nel discorso orale o scritto
- opzioni di traduzione delle parole
- esempi di utilizzo (varie frasi con traduzione)
- etimologia
Cosa (chi) è être cloué au lit - definizione
HAÏTIAN FOOTBALLER, SINGER, GUITARIST, AND BANDLEADER (1925-1998)
Coupe cloue; Coupe Cloue; Jean Gesner Henry
Être Dieu
OPERA
Etre Dieu
Être Dieu: opéra-poème, audiovisuel et cathare en six parties (French for "Being God: a Cathar Audiovisual Opera-Poem in Six Parts") is a self-proclaimed "opera-poem" written by Spanish surrealist painter Salvador Dalí, based on a libretto by Manuel Vázquez Montalbán with music by French avant-garde musician Igor Wakhévitch. It was originally published in 1985.
Coupé Cloué
Jean Gesner Henry (10 May 1925 – 29 January 1998), known professionally as Coupé Cloué, was a Haitian footballer, singer, guitarist, and bandleader. He was known for defining a style of Haitian compas music he called kompa mamba, and for the sometimes bawdy innuendo used in his songs.
Lad lit
GENRE FICTION LITERATURE FOR YOUNG MEN
User:Anna-Maria Butucescu/Lad–lit; Lad lit (genre); Wikipedia talk:Articles for creation/Lad–lit; Draft:Lad–lit; Lad-lit; User:Anna-Maria Butucescu/Lad-lit; Wikipedia talk:Articles for creation/Lad-lit; Lad–lit; Bloke lit (genre); Bloke lit
Lad lit was a term used principally from the 1990s to the early 2010s to describe male-authored popular novels about young men and their emotional and personal lives.
Wikipedia
Coupé Cloué
Jean Gesner Henry (10 May 1925 – 29 January 1998), known professionally as Coupé Cloué, was a Haitian footballer, singer, guitarist, and bandleader. He was known for defining a style of Haitian compas music he called kompa mamba, and for the sometimes bawdy innuendo used in his songs. During his career, he was one of Haiti's most prominent musicians, and found much success in West Africa as well.
